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Literature and Theology Advance Access published online on April 21, 2008
Literature and Theology, doi:10.1093/litthe/frn009
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© The Author 2008. Published by Oxford University Press 2008; all rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org

The Wreath, the Rock and the Winepress: Passion Iconography in Milton's Paradise Regain'd

Russell M. Hillier

Selwyn College, Cambridge University, Cambridge, Cambridgeshire CB3 9DQ,UK

russellhiller{at}hotmail.com


  Abstract

Readers of Paradise Regain'd have been perplexed by Milton's preference for the Gospel temptation narratives over the Passion narratives in describing the Son's regaining of Paradise. The article argues that, in explicitly laying down the pattern of a Christian hero in the character of the Messiah, Milton enriches his brief epic with a subtle Passion iconography. Milton's brief epic defines exemplary heroic martyrdom by re-appropriating and transfiguring the Messianic icons of the thorny wreath and the immovable rock from William Marshall's frontispiece to Eikon Basilike. Furthermore, in his winepress simile, Milton adopts a traditional conceit highly evocative of the Son's Passion within the Christian imaginary. Milton's treatment of the wreath, the rock and the winepress suggests that the atonement is of greater moment for Milton's theology, politics and poetry than some of his readers have supposed.


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